{"id":2247,"date":"2024-05-13T16:12:53","date_gmt":"2024-05-13T14:12:53","guid":{"rendered":"https:\/\/darina-maleeva.com\/?p=2247"},"modified":"2024-05-20T22:34:50","modified_gmt":"2024-05-20T20:34:50","slug":"cesar-franck-integrale-pour-violon-et-piano","status":"publish","type":"post","link":"https:\/\/darina-maleeva.com\/index.php\/2024\/05\/13\/cesar-franck-integrale-pour-violon-et-piano\/","title":{"rendered":"C\u00e9sar Franck \u2013 Int\u00e9grale pour violon et piano"},"content":{"rendered":"\n

Une tr\u00e8s belle critique pour l’album \u00ab Int\u00e9grale pour violon et piano de C\u00e9sar Franck \u00bb, parue dans l\u2019Audiophile-magazine.<\/em><\/strong><\/p>\n\n\n\n

Voici quelques extraits :<\/p>\n\n\n\n

\u00ab\u00a0La violoniste bulgare Darina Maleeva est une \u00e9minente experte du r\u00e9pertoire. Elle est en outre titulaire d\u2019un doctorat dont la th\u00e8se concerne C\u00e9sar Franck.<\/p>\n\n\n\n

Mais elle a surtout cr\u00e9\u00e9 la premi\u00e8re pi\u00e8ce de cet album, \u00ab M\u00e9lancolie \u00bb, \u0153uvre in\u00e9dite du compositeur \u00e0 l\u2019\u00e9poque.<\/p>\n\n\n\n

Elle a aussi \u00e9t\u00e9 \u00e0 l\u2019origine de la premi\u00e8re int\u00e9grale de l\u2019\u0153uvre pour violon et piano de C\u00e9sar Franck lors du festival Piano Roi de Brant\u00f4me en 2001.<\/p>\n\n\n\n

C\u2019est donc tout \u00e0 fait normal de trouver ici une interpr\u00e9tation de qualit\u00e9, habit\u00e9e et respectueuse de l\u2019\u0153uvre.<\/p>\n\n\n\n

\u00ab M\u00e9lancolie \u00bb ressemble par certains aspects \u00e0 la sonate. Cette pi\u00e8ce abrite la m\u00eame luminosit\u00e9 et ferveur d\u2019un violon particuli\u00e8rement \u00e9mouvant.<\/p>\n\n\n\n

Difficile de porter un jugement de valeur sur la sonate, tant la discographie est riche.<\/p>\n\n\n\n

Mais cette version pr\u00e9sente d\u2019ind\u00e9niables qualit\u00e9s, dont les principales me semblent ici la qualit\u00e9 de timbre de Darina Maleeva, avec ce vibrato bien dos\u00e9, assez large.<\/p>\n\n\n\n

C\u2019est aussi cette retenue de la part du pianiste, qui ne cherche pas \u00e0 s\u2019imposer, mais qui contribue \u00e0 cette parfaite harmonie avec la violoniste.<\/p>\n\n\n\n

Je conserve le souvenir tr\u00e8s \u00e9mu de l\u2019interpr\u00e9tation de Maxime Vengerov avec Martha Argerich \u00e0 Chantilly, madeleine musicale qui constitue pour moi un sommet de virtuosit\u00e9 dans cette \u0153uvre. Mais parfois, en faire trop sur les passages plus calmes nous \u00e9loigne de l\u2019\u00e9motion pure qu\u2019est cens\u00e9e engendrer cette sonate.<\/p>\n\n\n\n

Darina Maleeva ne s\u2019inscrit pas vraiment dans un romantisme effr\u00e9n\u00e9, mais nous offre pourtant une interpr\u00e9tation vibrante et sensible. La r\u00e9ussite de cette sonate (comme bien d\u2019autres d\u2019ailleurs) d\u00e9pend avant tout de la coh\u00e9sion qui peut na\u00eetre entre deux interpr\u00e8tes.<\/p>\n\n\n\n

Il fallait aussi une partenaire aussi prestigieuse que Martha Argerich pour r\u00e9pondre au romantisme enflamm\u00e9 d\u2019un Vengerov. Et, sur un tout autre plan, le jeu de Xavier Lecomte de la Bretonnerie sied parfaitement \u00e0 celui de Darina Maleeva. Cette humilit\u00e9 envers l\u2019\u0153uvre me fait penser \u00e0 l\u2019excellente version du duo Ferras \u2013 Barbizet enregistr\u00e9e pour Deutsche Grammophon, et bien que les tempi soient sensiblement diff\u00e9rents et le vibrato plus resserr\u00e9. Mais l\u2019osmose qui na\u00eet entre les interpr\u00e8tes est tout simplement jubilatoire sur ces deux enregistrements.<\/p>\n\n\n\n

Cet album se termine avec le Duo concertant sur des motifs de l\u2019op\u00e9ra comique \u00ab Gulistan \u00bb de Nicolas Dalayrac\u2026<\/p>\n\n\n\n

Peu de r\u00e9f\u00e9rences discographiques sont disponibles pour juger objectivement de cette derni\u00e8re prestation. Mais pour revenir \u00e0 l\u2019enregistrement de Dumay, la Bulgare nous livre ici un bel canto bien plus s\u00e9duisant et chaleureux. Il y a davantage de force et de pr\u00e9sence de la part du violon et du piano dont la densit\u00e9 tonale illustre bien la partie orchestrale. C\u2019est une vraie r\u00e9ussite, ainsi qu\u2019une derni\u00e8re d\u00e9monstration de la formidable complicit\u00e9 entre les deux artistes de ce duo.<\/p>\n\n\n\n

Un excellent disque au final, et reconnaissons-le, une tr\u00e8s belle sonate en la majeur !\u00a0\u00bb<\/p>\n\n\n\n

Jo\u00ebl Chevassus, Audiophile-magazine, janvier 2024<\/p>\n\n\n\n

Article complet ICI<\/a><\/a><\/p>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Une tr\u00e8s belle critique pour l’album \u00ab Int\u00e9grale pour violon et piano de C\u00e9sar Franck \u00bb, parue dans l\u2019Audiophile-magazine. Voici quelques extraits : \u00ab\u00a0La violoniste bulgare Darina Maleeva est une \u00e9minente experte du r\u00e9pertoire. Elle est en outre titulaire d\u2019un doctorat dont la th\u00e8se concerne C\u00e9sar Franck. Mais elle a surtout cr\u00e9\u00e9 la premi\u00e8re pi\u00e8ce […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2247","post","type-post","status-publish","format-standard","hentry","category-presse"],"_links":{"self":[{"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/posts\/2247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/comments?post=2247"}],"version-history":[{"count":10,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/posts\/2247\/revisions"}],"predecessor-version":[{"id":2282,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/posts\/2247\/revisions\/2282"}],"wp:attachment":[{"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/media?parent=2247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/categories?post=2247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/darina-maleeva.com\/index.php\/wp-json\/wp\/v2\/tags?post=2247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}